headyversion

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Carrion_Crow

Stealth Head

+49692


Submissions

9
Brown Eyed Women
Dec. 31, 1972
Winterland Arena

Dec. '72 turns out to be a nice little peak for BEW. Perfect shuffle, air-play tightness, great soloing, just enough country. Bobby nicely audible.
4
Deal
Dec. 31, 1972
Winterland Arena

A super-fun frolicing romp. They just seem to have loved playing this tune.
3
Brown Eyed Women
Dec. 15, 1972
Long Beach Arena

Pristine, air-play quality in a deep pocket with note-for-note perfection all 'round. Surprised not to see it here already.
3
Mexicali Blues
Dec. 15, 1972
Long Beach Arena

Smokin' desperado polka here with superbly tight playing at a faster-than normal pace. A galloping riot and heaps of fun.
2
Deal
Dec. 11, 1972
Winterland Arena

Shredding goodness, coming late in the set after a killer Star>Stella. Great show all around.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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