headyversion

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Carrion_Crow

Stealth Head

+49687


Submissions

2
Loser
Dec. 11, 1972
Winterland Arena

Solid powerful version where they start gelling perfectly for the set.
2
Sugar Magnolia
Dec. 10, 1972
Winterland Arena

Uptempo, intense, driving statement of holy-fuckiyana rock'n'roll. Not one I usually +1, but this is worth it. The SSDD is dynamite.
4
Truckin'
Dec. 10, 1972
Winterland Arena

Hard-charging diesel burner here. Bobby's nice and high in the mix, so a nice treat. The jam into TOO is brilliant.
4
China Cat Sunflower -> I Know You Rider
Dec. 10, 1972
Winterland Arena

Why no love for this great show? It isn't one of the top 10 for the year - but it's '72 and they're flowing just exactly perfect.
4
Bertha
Dec. 10, 1972
Winterland Arena

A hot rocker with Phil high in the mix. This is a "get up and dance" version with everyone clearly having a blast.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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