headyversion

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Carrion_Crow

Stealth Head

+49677


Submissions

4
Goin' Down The Road Feelin' Bad
Oct. 19, 1972
Fox Theatre

One of the rare versions that stands apart with or without its NFA bread.
6
Dire Wolf
Oct. 19, 1972
Fox Theatre

For a song that was effectively out of rotation at this point, they pulled it off with sing-round-the-campfire sweetness. Jerry growls it out.
6
China Cat Sunflower -> I Know You Rider
Oct. 19, 1972
Fox Theatre

Sweet version with an innovative transition. The whole band was on, but Keith and Phil are high in the mix and brilliant..
3
Bertha
Oct. 19, 1972
Fox Theatre

Recording is good, with Keith and Phil high in the mix. Everyone is switched way on, and the jamming shows perfect unity.
3
Sugaree
Oct. 19, 1972
Fox Theatre

Band recovers from a flubbed BTW and charges forward with this powerful rocker. Jerry and Keith's interplay as it rises is spectacular.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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