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Carrion_Crow

Stealth Head

+49682


Submissions

6
Stella Blue
Aug. 22, 1972
Berkeley Community Theatre

How in this magic week did this powerhouse version with perfect vocals not yet get voted up? Give a spin, you aren't going to regret it.
4
Friend of the Devil
Aug. 22, 1972
Berkeley Community Theatre

Perfection. They could do no wrong this week, and this FOTD is no exception. Perfection.
4
Loser
Aug. 22, 1972
Berkeley Community Theatre

Tight ensemble playing with perfect sound. This is one of the great shows of the year.
7
Feelin' Groovy Jam
May 19, 1974
Portland Memorial Coliseum

Already listed as the CC>IKYR, but this jam stands on its own. One of the tightest from start to finish.
4
Uncle John's Band
Aug. 21, 1972
Berkeley Community Theater

Brilliant outro and high-energy version, a bit more up-tempo than others from the time. All-round sweet show, overshadowed by other giants of Aug. '72
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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