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Carrion_Crow

Stealth Head

+49677


Submissions

4
He's Gone
Aug. 12, 1972
Sacramento Memorial Auditorium

Sweet outro on this one. Donna's got the sweet harmony and Phil with the bass vox makes it pretty kind.
3
Me and My Uncle
Aug. 12, 1972
Sacramento Memorial Auditorium

MAMU is so often overlooked, but this one is hiding in plain sight. Hard jumpin' rocker here with a savage pulse, and great banter after.
4
Sugar Magnolia
July 26, 1972
Paramount Theater

After the ultra-outre Dark Star, this pure rock and roll distillate is just perfect goodness. A burner with Billy hard charging in 4-wheel drive.
5
You Win Again
July 26, 1972
Paramount Theater

Note for note perfect. The only reason it isn't here yet is that the shows between Europe and Berkeley/Veneta are too often overlooked.
1
Goin' Down The Road Feelin' Bad
July 25, 1972
Paramount Theater

Possibly the highest energy piece in the whole show. An excellent jam that left the crowd smiling, for certain.

Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.