headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49677


Submissions

1
Big Railroad Blues
July 22, 1972
Paramount Northwest Theatre

Hard chargin' driver here. They kicked this one in the pants.
3
Sugaree
July 22, 1972
Paramount Northwest Theatre

A solid and sweet rockin' version. The band is smooth and tight, recording a solid A-
2
He's Gone
July 21, 1972
Paramount Northwest Theater

Donna's brand new and sounds good. Sorry haters, but she's on here: Check the sweet outro.
9
Stella Blue
July 21, 1972
Paramount Northwest Theater

Powerful and emotional, with great coherency and a tight structure. AUD cleanup in need.
5
China Cat Sunflower -> I Know You Rider
July 21, 1972
Paramount Northwest Theater

Unfortunate cut in CC, but the Rider is tremendous. Needs a cleanup bad - Paging Mr. Miller, help out please!
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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