headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49677


Submissions

4
Sugar Magnolia
May 24, 1972
Strand Lyceum

Man, they're having a blast. Totally firing on all cylinders, and clipping along at 90mph. Great stuff.
2
Tennessee Jed
June 17, 1972
Hollywood Bowl

Solid rockin' version with a cruisin' pulse and tight ensemble playing at high energy.
4
Black Throated Wind
June 17, 1972
Hollywood Bowl

Back from Europe with all the polish and power of a masterpiece: They've perfected the arc and emotional nuance. Miller cleanup is best (duh).
6
Sugar Magnolia
May 23, 1972
Strand Lyceum

Gets pretty hard rock in places. This whole show, actually, has a high voltage rock vibe unlike all others on the tour. Underrated show all round.
10
Big Railroad Blues
May 23, 1972
Strand Lyceum

Utterly gobsmacked that this ain't here yet: It's a furious barnburner. Full of get up and go.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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