headyversion

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Carrion_Crow

Stealth Head

+49687


Submissions

3
Cold Jordan
Sept. 17, 1970
Fillmore East

The tape quality is low, but the band was completely on in an historically important and beautiful show. Completists only AUD is C-, you're warned.
4
Easy Wind
Aug. 19, 1970
Fillmore West

Undoubtedly one of the greats. Everyone is on. Bobby solos, then Jerry schools the world, then at 7:03 sounds like D. Crosby steps in like Godzilla.
3
Friend of the Devil
Aug. 19, 1970
Fillmore West

Early uptempo, shitkickingly good. These first ones are all worth mentioning. This one is fast and good bluegrass.
3
The Other One
Aug. 18, 1970
Fillmore West

Fast and furious acid rush here. That they could go from bluegrass sweetness to this hard rock monster in one night is testament to their huge range.
6
New Speedway Boogie
Aug. 18, 1970
Fillmore West

Pure version, with just the right amount of menace and swagger. A great jam here too. Check it out.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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