headyversion

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Carrion_Crow

Stealth Head

+49687


Submissions

4
Ain't It Crazy (The Rub)
July 12, 1970
Fillmore East

A mellow acoustic version unlike any I the others more known for being uptempo and somewhat aggressive. A rare treat.
2
Not Fade Away
July 11, 1970
Fillmore East

Vast and expansive, with hints of Mountain Jam peppered throughout and a brilliant tug-of-war over whether to go into TOO. Needs a cleanup.
2
Cold Jordan
July 11, 1970
Fillmore East

Sounds like Dave and Marmaduke came out mid-song to warm up for the NRPS set. Don't like acoustic AUD, don't bother. Like it? Oh baby, it's good.
1
Rosalie McFall
July 11, 1970
Fillmore East

First ever, and with 45 years between us and then, it's like a sweet whisper in AUD beauty. Real stuff here.
4
New Speedway Boogie
July 11, 1970
Fillmore East

Superb, a distant reach-out from the AUDmurk of time. A special treat here.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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