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Carrion_Crow

Stealth Head

+49697


Submissions

2
I've Been All Around This World
July 11, 1970
Fillmore East

Or maybe the 12th. Who cares. It's simply beautiful.
2
Not Fade Away
July 10, 1970
Fillmore East

Totally free. There are Mountain Jam themes, met with Stephen Jams, then Bid You Goodnight themes. Seems they couldn't get enough. Good stuff.
3
China Cat Sunflower -> I Know You Rider
July 10, 1970
Fillmore East

The CC and transition soar, and part of an Alligator>D>TOO>Attisc>TOO>C.Ch.>Good Lovin'>D.>China>Rider>Good Lovin' über set. Rider is cut, tho.
2
Cosmic Charlie
July 10, 1970
Fillmore East

The single best transition into Cosmic Charlie (from TOO) that I know of. From an era when they still meant it as a psychedelic anthem... Love this.
2
The Other One
July 10, 1970
Fillmore East

Forgotten show with a high-voltage and energetic jam, intersected with a sweet Attics. Great show, low quality AUD.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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