headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49697


Submissions

4
China Cat Sunflower -> I Know You Rider
June 6, 1970
Fillmore West

Short Cat, but very interesting transition, with Bobby driving in all his angular beauty, followed by a tight jamming Rider.
2
Mama Tried
June 5, 1970
Fillmore West

Want to here the '70 sound, the closeness, the transition from psychedlicore to country to arena rock? Here it is in all its chaotic beauty.
4
Cold Rain and Snow
June 5, 1970
Fillmore West

Like everything from this epic heady show, the boys are just exactly perfect. The vocals are so on. Jerry sounds great.
3
New Speedway Boogie
June 5, 1970
Fillmore West

With the exception of the unfortunate tape flip, this is a pristine acoustic version. Jerry has the vox of an angel here.
3
Friend of the Devil
June 5, 1970
Fillmore West

Pure and perfect. Fans of '70 will already love it. Those discovering the acoustic Dead, here it is. Wow.

Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.