headyversion

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Carrion_Crow

Stealth Head

+49707


Submissions

2
Candyman
April 9, 1970
Fillmore West

2nd one ever, and doesn't flow perfectly yet. They're working out the lovely 3-part harmonies and it's just fantastic transitional Dead.
1
Deep Elem Blues
April 9, 1970
Fillmore West

Sweetness in the '70 acoustic key. Confusing setlist/archive on this show, but worth a listen.
5
Mama Tried
Feb. 14, 1970
Fillmore East

In spite of a bit of tape wobble, this is an otherwise pristine version, with everyone keyed up right. A tight solo and a fun time.
5
Friend of the Devil
April 3, 1970
Field House, U. of Cincinnati

Fast acoustic pickin' with alternative lyrics. Sounds almost like a 12-string in places. Is that possible?
6
St. Stephen
March 24, 1970
Pirates World

All the power and, let's admit it AMBIVALENCE by our boys is on here. They flub the lyrics but bigbang the jam. We are the answer to the answer, man.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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