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Carrion_Crow

Stealth Head

+49712


Submissions

4
Long Black Limousine
Jan. 31, 1970
The Warehouse

Showcases their versatility: Switched mid-way through an electric set into this moody beauty after Phil's amp blew out. Gorgeous.
3
Hard to Handle
Jan. 31, 1970
The Warehouse

More like the great '71s than the others from 1970. A hard enough rocker that it apparently nuked Phil's amp, leading to a wonderful acoustic set.
10
Dire Wolf
Jan. 31, 1970
The Warehouse

Introduced as a "paranoid fantasy song", but oh so sweet for all that. Perfect rendition.
13
Not Fade Away
Oct. 3, 1976
Cobo Arena

Part of an epic jam, plus an enormous China Cat tease at 10:45 in a 5-year spell without them. Very interesting groove, too.
7
Mason's Children
Jan. 31, 1970
The Warehouse

For anyone with a soft spot for psychedelic bubblegum, the jam the shit out of this one. Ruff cut in the middle though.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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