headyversion

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Carrion_Crow

Stealth Head

+49712


Submissions

3
Turn On Your Love Light
Jan. 10, 1970
Community Concourse

Wait a minute! Hard to figure how this one hasn't been posted yet. Very solid all 'round performance by all.
3
Cold Rain and Snow
Jan. 10, 1970
Community Concourse

Clear, pure, and beeyootiful. The boys' voices are on, the sound well mixed, and all is well.
5
Hard to Handle
Jan. 10, 1970
Community Concourse

Tight, sweet version. Doesn't have the inferno element from some at the top, but a strong one nevertheless.
4
Wharf Rat
June 20, 1987
Greek Theater

Comes in super sweetly after a short and scary TOO, like feather whispers needed to get the mind back in the body. Good trip guiding, really.
3
The Other One
June 20, 1987
Greek Theater

Bobby's Satan's-goina-getchya vocals add to the wild speedy visciousness of this monster.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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