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Carrion_Crow

Stealth Head

+49667


Submissions

20
Playin' In The Band
April 29, 1972
Musikhalle

A mysterious beauty. Understated, elegant, and crystal clear, but shredding and fun. A nice little gem.
44
Truckin'
April 26, 1972
Jahrhunderthalle

Hard rocker. Great interplay and the band at the top of their '72 game. "No. 1 in Turlock, and that's a fact". - Bobby.
30
He's Gone
April 26, 1972
Jahrhunderthalle

Uptempo, almost a shuffle, like the best of the '72s. High energy 1st set.
7
The Other One
April 5, 1971
Manhattan Center

Powerful version with insane Phil muscular bass kicking into a sweet Wharf Rat. A gem of a show.
14
Let It Grow
June 23, 1974
Jai-Alai Fronton

Sneaks up calm then hits critical mass: Suddenly you are the blade of grass, the dew on the crops, the explosive heat of summertime. Love it.
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Comments

Playin' In The Band
May 13, 1972
Lille Fairgrounds

Sounds unequivocally '72 from start to finish, predicting where this monster goes between Europe and Oregon in a few short months. Should be waaaaaay higher.
Next Time You See Me
May 13, 1972
Lille Fairgrounds

Pig/Keith chemistry out the wazoo, and that's not something you hear everyday. They're just perfect together.
Big Railroad Blues
May 13, 1972
Lille Fairgrounds

Show is languishing down in the 2-3 votes per range, which doesn't do it justice at all. This is a smokin' barnburner. They were entirely in the zone from note one by this point in the tour. Give it an up.
Caution
Feb. 14, 1970
Fillmore East

MerryJerry, I've just been cramming them into Space, finally. There's no slot on here for "Phil & Ned" either, so I just overlook the anachronism and call it Space.
Dark Star
May 11, 1972
Rotterdam Civic Hall

DonnieinMT, I'm real curious if you've got other dark stars that do it for you. Based on your comment, I think you're just not into spacey jams. Me, I could dig this one all night though, and its transitive nightfall is deservedly near the top of the list. The fact that they're all thumb wrestling throughout it to find their ways back into form and melody, but clearly having too good a time to stop, sets the tone just right. Where else could they go after starting each set with killer Playin's and Morning Dews?
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