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Carrion_Crow

Stealth Head

+49737


Submissions

7
Smokestack Lightnin'
Dec. 4, 1971
Felt Forum, Madison Square Garden

Gut bucket blues. Pure danger from Blue Ron. Hard to figure why this ain't already here.
3
You Win Again
Dec. 4, 1971
Felt Forum, Madison Square Garden

Sweet little rare tune.
6
Tennessee Jed
Dec. 4, 1971
Felt Forum, Madison Square Garden

One of those versions where it sounds like every note is just the embodiment of perfection.
2
Uncle John's Band
Dec. 2, 1971
Boston Music Hall

Shredding solo over the 7/4 section and lots of dark power here, though there are some mix issues and maybe some tape speed wobble. Clean versions?
13
The Other One
Nov. 20, 1971
Pauley Pavilion

Totally overlooked: An intricate, mercurial, and explosive monster masterwork. Overshadowed by but totally different from the enormous 12/02.

Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.