headyversion

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Carrion_Crow

Stealth Head

+49777


Submissions

8
Brown Eyed Women
Oct. 18, 1974
Winterland Arena

Subtle power and perfect execution. The "retirement" shows are full of pure, clear playing.
6
Good Lovin'
Jan. 23, 1970
Honolulu Civic Auditorium

Relaxed (Hawaii, natch) vibe without a Pig rap, but the band sounds just outta sight and Pig is on. Good times here.
16
Black Peter
Jan. 23, 1970
Honolulu Civic Auditorium

Powerful vocals and a tight sound in front of what sounds like only 100 people.
4
Candyman
Feb. 1, 1971
Unknown

You've never heard anything like this before. Out take from American Beauty era, mis-dated on Archive, but absolutely wonderful.
3
Truckin'
Aug. 26, 1971
Gaelic Park

A+ goddamned good, keeps me bobbing and weaving. Hard throbbing, and into a killer TOO, too.
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Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.
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