headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

9
The Race Is On
June 24, 1973
Memorial Coliseum

Lovely mid-tempo ensemble singing with Bobby, Donna, and Jerry audible (Keith too?). Great driving bass and piano.
12
Big Railroad Blues
June 24, 1973
Memorial Coliseum

Fun, fast and loose in the joints.
24
They Love Each Other
June 24, 1973
Memorial Coliseum

Clear melodic jamming, fun and uptempo.
33
New Potato Caboose
Oct. 12, 1968
Avalon Ballroom

Starts with gongs and cymbals in the cosmic dust of an outrageous TOO>Cryptical, then gears up and goes supernova for over 20 minutes.
14
Me and Bobby McGee
April 29, 1971
Fillmore East

My new favourite version, and I never choose "favourites". Passionate perfect Bobby, the band so tight, Jer's perfect harmony, Phil driving it all.
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Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.
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