headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

6
Truckin'
March 16, 1973
Nassau Coliseum

Check out the totally mad vocals. Someone's belting it out, and it ain't Donna! Out of a killer Dark Star.
25
Dark Star
March 16, 1973
Nassau Coliseum

A long deep ride: Inter-stellar collectivity with deep-space weirdness after 1st chorus.
5
Row Jimmy
March 16, 1973
Nassau Coliseum

Beautiful ensemble playing. Jerry and Donna harmonise nicely.
3
El Paso
March 16, 1973
Nassau Coliseum

The boys push behind Bobby like the posse chasing the narrator of the song. You can hear the hoofbeats. Excellent.
10
Eyes Of The World
March 15, 1973
Nassau Coliseum

Soaring. Jerry and Phil in collective consciousness. My version is marred by a rough AUD patch though.
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Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.
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