headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49677


Submissions

7
The Other One
Dec. 31, 1971
Winterland Arena

Hot and smoking extended jam with MAMU inside, then long jam into Black Peter. Play LOUD !!!
2
Playin' In The Band
Dec. 31, 1971
Winterland Arena

Bobby's on, tight version. Short - but you can hear hints of where Playin' will go in '72.
14
Mountains of the Moon
April 22, 1969
The Ark

Mysterious movement from acoustic to electric inside this gem. Moves into a great Darkstar.
23
He Was A Friend of Mine
April 23, 1969
The Ark

Long mellow intro to a slammin' all out great show. Dig this.
58
Here Comes Sunshine
Nov. 30, 1973
Boston Music Hall

Lots of fun with solo after solo going in all kinds of directions.
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Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.
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