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Carrion_Crow

Stealth Head

+49712


Submissions

7
St. Stephen
March 21, 1970
Capitol Theater

Totally overlooked. One of the prettiest mid-sections I know of, even if there isn't much of a jam section to it.
8
Deep Elem Blues
March 21, 1970
Capitol Theater

Imagine how blown away the freaks were, expecting 'Alligator' and getting this stunning intro into the country Dead.
8
Friend of the Devil
March 21, 1970
Capitol Theater

Really boys? Take the red pill and go back in time to this rowdy show. 2nd ever and Jer nails it after telling the crowd to "shut the fuck up".
7
Casey Jones
March 21, 1970
Capitol Theater

Plugged in and slashingly ("thwok! thwok! thwok! thwok")! energetic opener for a rowdy crowd.
2
Deep Elem Blues
March 20, 1970
Capitol Theater

Deep sounds from a pivotal moment in Dead History. A treat for AUD lovers.

Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.