headyversion

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Carrion_Crow

Stealth Head

+49712


Submissions

8
High Time
Feb. 23, 1970
The Auditorium

Bliss. Feb. '70 is full of peak Dead. This doesn't disappoint.
5
Katie Mae
Feb. 14, 1970
Fillmore East

As beautiful as they come.
10
The Eleven
Feb. 14, 1970
Fillmore East

Why not here yet? This show has it all, and this Eleven just slays it. Balls out, high-energy jams from everyone.
3
Not Fade Away
Feb. 12, 1970
Ungano's Night Club

Like the night before, this just blazes with crackling electric fire. Great mix and channel separation with Bobby nice and clear helps. Overlooked.
5
St. Stephen
Feb. 12, 1970
Ungano's Night Club

Crisp recording with nicely mixed Bobby on separate channel = rare treat in this tight Stephen. Great show.
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Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.
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