headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

1
Playin' In The Band
Aug. 23, 1971
Auditorium Theatre

Clanging and banging in all the right ways for the '71 sound. Has so much energy packed into it you can hear how it will explode over the next year.
6
Wharf Rat
Aug. 15, 1971
Berkeley Community Theater

Very serious, beautiful and magical jam. Should be up there with the top of them. Don't miss it.
5
China Cat Sunflower -> I Know You Rider
Aug. 15, 1971
Berkeley Community Theater

Virtuoso performance, the transition builds like a speeding river as it reaches a waterfall. There's a short tape gap in Rider, though, its all good.
4
Sugaree
Aug. 15, 1971
Berkeley Community Theater

Smooth and blissful rocker, followed by a very funny 4-second "White Rabbit" quote and conversation in response to a wacky head in the crowd.
3
Mister Charlie
Aug. 15, 1971
Berkeley Community Theater

Snarling and ballsy, complete with a hog snort in the pause after it. Pigpen got good and greased up for this show. Fun and loose.
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Comments

Mister Charlie
April 29, 1972
Musikhalle

Jerry's tone on this is dialed all the way in. Really special soloing on this one.
Comes A Time
April 26, 1972
Jahrhunderthalle

Powerful. Perfectly executed. The track list for the complete show on the archive is off by one song, so it has Comes a Time coming in at an extraordinary 36 minutes and 28 seconds, which is pretty funny when you think about it. In any case, they really pull this one off beautifully, even if it's a mere 6:40....
Truckin'
April 26, 1972
Jahrhunderthalle

Well I guess just like Bobby on this version, sometimes people just fuck up the words.
Chinatown Shuffle
April 26, 1972
Jahrhunderthalle

Coming off of an extraordinarily energetic Playin', this one has an extra oomph with the tempo just a bit higher, and Billy's back beat kicking it forward with a great, almost reckless driving pulse.
Greatest Story Ever Told
April 26, 1972
Jahrhunderthalle

Absolutely in need of more votes. If you listen carefully, you can hear exactly when they break the badassery barrier. Jerry shreds like a man possessed, Keith is brilliant, Billy all over it, and of course Bobby and Donna are in perfect sync.
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