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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49712


Submissions

5
Mama Tried
May 15, 1970
Fillmore East (Late Show)

With the NRPS and ridiculously perfect. Perfect vocals and Jerry's '70 pedal steel sound. Amazing.
6
Good Morning Little Schoolgirl
May 14, 1970
Merramec Community College

Tight version, excellent Pig harp solo, then Jerry on bottle neck? Is that a slide? It's freakin' awesome, and the strong pulse makes it excellent.
4
Good Lovin'
May 14, 1970
Merramec Community College

Aight, we're going to just big up this whole show. This is delicious eat-me goo. Damn. May '70 is prime love. Dig the great recording too.
4
High Time
May 14, 1970
Merramec Community College

The vocals throughout this show are sublime. This is the era of three-part harmony. They were just so fresh, and every moment is a treat. Enjoy.
3
China Cat Sunflower -> I Know You Rider
May 14, 1970
Merramec Community College

Crystal clear version, not sure why it's been overlooked. Beautiful vocals, great recording, indicative of the transition sound of the era.

Comments

Mister Charlie
April 29, 1972
Musikhalle

Jerry's tone on this is dialed all the way in. Really special soloing on this one.
Comes A Time
April 26, 1972
Jahrhunderthalle

Powerful. Perfectly executed. The track list for the complete show on the archive is off by one song, so it has Comes a Time coming in at an extraordinary 36 minutes and 28 seconds, which is pretty funny when you think about it. In any case, they really pull this one off beautifully, even if it's a mere 6:40....
Truckin'
April 26, 1972
Jahrhunderthalle

Well I guess just like Bobby on this version, sometimes people just fuck up the words.
Chinatown Shuffle
April 26, 1972
Jahrhunderthalle

Coming off of an extraordinarily energetic Playin', this one has an extra oomph with the tempo just a bit higher, and Billy's back beat kicking it forward with a great, almost reckless driving pulse.
Greatest Story Ever Told
April 26, 1972
Jahrhunderthalle

Absolutely in need of more votes. If you listen carefully, you can hear exactly when they break the badassery barrier. Jerry shreds like a man possessed, Keith is brilliant, Billy all over it, and of course Bobby and Donna are in perfect sync.