headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

8
Stella Blue
Sept. 12, 1973
William and Mary College Hall

Beautiful comedown after an epic Eyes. Forgotten show or not, this is one of the best 2nd sets of the year - and that says a hell of a lot.
6
Let It Grow
Sept. 12, 1973
William and Mary College Hall

Unique Dead with the whole horn section. In places sounds like Nigerian Juju pop from the same era (King Sunny Adé or Fela's big band). Very cool.
3
Loose Lucy
Sept. 12, 1973
William and Mary College Hall

Sweaty funky and a little bit loose - just like the lady in the song.
8
Bird Song
Sept. 12, 1973
William and Mary College Hall

Extremely beautiful version with some AUD problems. Sparkling melodicism out of the perfect collective mind. A forgotten diamond.
4
Ramble On Rose
Sept. 12, 1973
William and Mary College Hall

Impassioned version like few others, with both Jer and Keith firing on all cylinders. Terrible AUD probs keep this show unknown, but worth a listen.
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Comments

Good Lovin'
April 26, 1972
Jahrhunderthalle

Pigpen roars, "tighten up" before he jumps in his saddle and rides. And the band tightens up behind him, gets into a groove right underneath that allows him to shine, like the best freaking back-up band of all time.
Me and My Uncle
April 26, 1972
Jahrhunderthalle

Bobby throws a little snarl into it , in addition to some great saloon-piano work by Keith, which makes it for me. Hot version.
Dark Star
April 24, 1972
Rheinhalle

A wild ride from start to finish, including vast passages of spontaneous composition, viscous goo, a nasty bit of confusion-inducing hypertweak, and moments of utter beauty. Cool sandwich too, with the second half of Dark Star being an unbelievably beautiful and cogent piece of spontaneous music. What a treat. I'm going to listen to this one again and again....
Good Lovin'
April 24, 1972
Rheinhalle

This one really highlights where Pig could have been going with the emerging '70s sound had he stayed healthy. This has extended jazz- and fusion-influenced jams. His raps fit within the more melodic explorations, and his voice is just perfect. There are other moments from the tour like this, and they stand out for me on how much he was evolving up to the last.
The Other One
April 21, 1972
Beat Club

Relentless danger. This is a brain melter.
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