headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

5
Brown Eyed Women
Sept. 12, 1973
William and Mary College Hall

Sweet and melodious. Jer sings it from the heart and the band is really tight.
27
Dark Star
Sept. 11, 1973
William and Mary College Hall

Moody, mellow, then into an explosive but still sparse jam (all before the verse). Colossal Phil then blows your mind and speakers. Excellent.
3
Big River
Sept. 11, 1973
William and Mary College Hall

Very uptempo and fun with some great solos. Good energy.
10
Let It Grow
Sept. 11, 1973
William and Mary College Hall

Surpirse not to see this here yet. Martin Fierro guests on sax and the short-lived horn section sounds great. A treat with historical importance.
12
Playin' In The Band
Sept. 11, 1973
William and Mary College Hall

Ending a first set that seems more '76 than '73 (slow grooves), this one finally gets off the leash and into a great jam.

Comments

Good Lovin'
April 26, 1972
Jahrhunderthalle

Pigpen roars, "tighten up" before he jumps in his saddle and rides. And the band tightens up behind him, gets into a groove right underneath that allows him to shine, like the best freaking back-up band of all time.
Me and My Uncle
April 26, 1972
Jahrhunderthalle

Bobby throws a little snarl into it , in addition to some great saloon-piano work by Keith, which makes it for me. Hot version.
Dark Star
April 24, 1972
Rheinhalle

A wild ride from start to finish, including vast passages of spontaneous composition, viscous goo, a nasty bit of confusion-inducing hypertweak, and moments of utter beauty. Cool sandwich too, with the second half of Dark Star being an unbelievably beautiful and cogent piece of spontaneous music. What a treat. I'm going to listen to this one again and again....
Good Lovin'
April 24, 1972
Rheinhalle

This one really highlights where Pig could have been going with the emerging '70s sound had he stayed healthy. This has extended jazz- and fusion-influenced jams. His raps fit within the more melodic explorations, and his voice is just perfect. There are other moments from the tour like this, and they stand out for me on how much he was evolving up to the last.
The Other One
April 21, 1972
Beat Club

Relentless danger. This is a brain melter.