headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49692


Submissions

1
Not Fade Away
July 25, 1972
Paramount Theater

For a show that sometimes lacks a little energy in places, they end it with quite a bang. This outro is exceptionally good.
1
Truckin'
July 22, 1972
Paramount Northwest Theatre

Slow star builds up huge head of steam and a slamin' jam. Ends funny, unsure whether >He's Gone or something else. Nice version, overlooked show.
1
Mississippi Halfstep Uptown Toodeloo
July 22, 1972
Paramount Northwest Theatre

Not too polished yet, but full of that new-song exhuberence. Great key work from Keith, and a funforall Reeeee-o Grand outro.
7
Playin' In The Band
July 22, 1972
Paramount Northwest Theatre

A thing of (overlooked) beauty. Tight, muscular and coherent. It never drags. A perfect '72 Playin' here.
14
Crazy Fingers
Feb. 28, 1975
Bob Weir's Studio

You've never heard it like this: Rehearsal tape, listed as "Distorto". Track 2. An absolute treasure. Hard-freaking-core. No words, just rock.
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Comments

Good Lovin'
April 26, 1972
Jahrhunderthalle

Pigpen roars, "tighten up" before he jumps in his saddle and rides. And the band tightens up behind him, gets into a groove right underneath that allows him to shine, like the best freaking back-up band of all time.
Me and My Uncle
April 26, 1972
Jahrhunderthalle

Bobby throws a little snarl into it , in addition to some great saloon-piano work by Keith, which makes it for me. Hot version.
Dark Star
April 24, 1972
Rheinhalle

A wild ride from start to finish, including vast passages of spontaneous composition, viscous goo, a nasty bit of confusion-inducing hypertweak, and moments of utter beauty. Cool sandwich too, with the second half of Dark Star being an unbelievably beautiful and cogent piece of spontaneous music. What a treat. I'm going to listen to this one again and again....
Good Lovin'
April 24, 1972
Rheinhalle

This one really highlights where Pig could have been going with the emerging '70s sound had he stayed healthy. This has extended jazz- and fusion-influenced jams. His raps fit within the more melodic explorations, and his voice is just perfect. There are other moments from the tour like this, and they stand out for me on how much he was evolving up to the last.
The Other One
April 21, 1972
Beat Club

Relentless danger. This is a brain melter.
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