headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

9
Sugaree
Sept. 10, 1972
Hollywood Palladium

So perfect, it's hard to believe that people could improvise music like this together. This amazing show deserves a clean-up!
14
Big River
Dec. 6, 1973
Public Hall

Overlooked: Between one of this site's favorite HCSs and one of its favorite Dark Stars is a perfect, articulate, and virtuoso version of Big River.
3
Casey Jones
Oct. 28, 1972
Cleveland Public Hall

Just outrageous. Problematic show b/c of mix and cuts in the source. Not here: just a blizzard of jam.
4
Greatest Story Ever Told
Oct. 28, 1972
Cleveland Public Hall

Show is overlooked b/c mix problems, but they're absolutely on fire and this version shreds like all get-out. Call C. Miller for this one please!
6
Playin' In The Band
Oct. 28, 1972
Cleveland Public Hall

Could be massively heady, but Billy is so high in the mix that it's hard to follow others. Any cleaner versions out there? Has everything but the mix.
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Comments

Playin' In The Band
April 21, 1972
Beat Club

In a tour during which Playin' goes from a peculiar, if not promising vehicle for outer-spheres jamming, to the galactic shredding monster that Playin' is by September, this one stands out as just a little bit weirder, just a little bit more agressive and intense. It's frankly enormous for the relatively short 12 minutes it fills.
Dark Star
April 17, 1972
Tivolis Koncertsal

Shockingly underrated. There's a lot of feedback weirdness... which is awesome. And yes, the pre-verse is gorgeous. There's also a lot of experimentation, in the best sense of the term: Hints of a FGJ around 17:30, washes of crystal keyboard work that sounds almost like what they would try out again in the late 80s midi period. And yes... its good and goddamned weird? Who's got a problem with that... it's the Grateful Dead, not the Kingston Trio.
Big Railroad Blues
April 17, 1972
Tivolis Koncertsal

Believe the hype: this one clears out the tubes. The vitamins must have kicked in during the pause, because they don't sound laid back here at all....
Hurts Me Too
April 17, 1972
Tivolis Koncertsal

This really needs more votes: The solid driving pulse, the deep-in-the-pocket groove, the laid-back tempo that never drags, and of course the perfect execution by Blue Ron, his voice, and his soul. Really, this is some his finest vocal work ever.
China Cat Sunflower -> I Know You Rider
April 17, 1972
Tivolis Koncertsal

The first set is characterized by laid-back tempos and an all-round mellow delivery (especially compared with the other Copenhagen show on the 14th and Aarhus the night before). Don't let that fool you into passing over this amazing version and altogether excellent show. The tempos really work to showcase Keith, as others mentioned. The transition between the two is made perfect by his mastery - and he continues to shine through Jack Straw and He's Gone too.
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