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Carrion_Crow

Stealth Head

+49667


Submissions

5
Sugaree
May 25, 1974
Campus Stadium, UCSB

Swings and rocks you back and forth so sweetly. Not my favorite Dead song, but this one is just a beaut.
26
Wharf Rat
May 21, 1974
Edmundson Pavilion

A musical triumph capping an amazing 2nd Set. Soaring, almost Bird Songish intensity to the ensemble soloing. Perfect.
18
Sugar Magnolia
May 21, 1974
Edmundson Pavilion

Are you kidding me?!? This just blazes white hot. Whole 2nd set is just a supernova.
16
U.S. Blues (Wave That Flag)
May 21, 1974
Edmundson Pavilion

The boys were still inspired after that 46min Playin' and it shows. Possibly the best US Blues I know of. Don't overlook it or the rest of the show!
46
Wharf Rat
May 19, 1974
Portland Memorial Coliseum

Slightly faster with a steady ostinato bass that works beautifully. No dirge, but a thoughtful tale. I hear waves against a wharf at the end.
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Comments

Playin' In The Band
April 21, 1972
Beat Club

In a tour during which Playin' goes from a peculiar, if not promising vehicle for outer-spheres jamming, to the galactic shredding monster that Playin' is by September, this one stands out as just a little bit weirder, just a little bit more agressive and intense. It's frankly enormous for the relatively short 12 minutes it fills.
Dark Star
April 17, 1972
Tivolis Koncertsal

Shockingly underrated. There's a lot of feedback weirdness... which is awesome. And yes, the pre-verse is gorgeous. There's also a lot of experimentation, in the best sense of the term: Hints of a FGJ around 17:30, washes of crystal keyboard work that sounds almost like what they would try out again in the late 80s midi period. And yes... its good and goddamned weird? Who's got a problem with that... it's the Grateful Dead, not the Kingston Trio.
Big Railroad Blues
April 17, 1972
Tivolis Koncertsal

Believe the hype: this one clears out the tubes. The vitamins must have kicked in during the pause, because they don't sound laid back here at all....
Hurts Me Too
April 17, 1972
Tivolis Koncertsal

This really needs more votes: The solid driving pulse, the deep-in-the-pocket groove, the laid-back tempo that never drags, and of course the perfect execution by Blue Ron, his voice, and his soul. Really, this is some his finest vocal work ever.
China Cat Sunflower -> I Know You Rider
April 17, 1972
Tivolis Koncertsal

The first set is characterized by laid-back tempos and an all-round mellow delivery (especially compared with the other Copenhagen show on the 14th and Aarhus the night before). Don't let that fool you into passing over this amazing version and altogether excellent show. The tempos really work to showcase Keith, as others mentioned. The transition between the two is made perfect by his mastery - and he continues to shine through Jack Straw and He's Gone too.
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