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Carrion_Crow

Stealth Head

+49742


Submissions

17
Good Lovin'
Dec. 31, 1978
Winterland Arena

Blissful dancealong. As clear a statement of what the good times feeling of the later Donna era could sound like. Nice times.
17
Drums
Dec. 31, 1978
Winterland Arena

19 minutes, man it gets weird: whistles, gamelans, melodica solo, bird calls, kazoos, explosions: was every one in on the jam? Anyone remember?
6
Playin' In The Band
Oct. 23, 1971
Easttown Theatre

Adrenaline bursting hard driver. Exciting. Jerry at 3:00 solos in all 720 degrees, just propulsive. Give her a spin.
21
Not Fade Away
May 3, 1972
Olympia Theater

Flawless trance-inducing NFA with a perfect transition into GDTRFB. Note for note perfect show.
10
Sing Me Back Home
Sept. 10, 1972
Hollywood Palladium

Perfect. May have the best vocal harmonies of all of them. Not here because of low-level boards? Try headphones, heads.

Comments

Mister Charlie
April 14, 1972
Tivolis Koncertsal

Funny culture clash after this rock-solid version. The boys tell the Danish audience they "don't have to clap like that" (in unison, which was of course a sign of appreciation, but certainly comes off a bit stiff). They then figure out that nobody can understand a word they're saying and go into one of the swingingest You Win Agains ever. Seems like a lovely good time was had by all.
Bertha
April 14, 1972
Tivolis Koncertsal

A little tape speed wobble at the beginning shouldn't stop anyone. They sort it out quick. This one kicks out the barn door and charges at full speed. The show is top notch through and through.
Sugar Magnolia
April 11, 1972
Newcastle City Hall

Bobby bursts a vein on the shout chorus.
Comes A Time
April 11, 1972
Newcastle City Hall

The hypersonic re-entry into the atmosphere coming out an outrageous TOO reprise simply melts into vapor and touches down with this angelic version. What a treat. A great set worth the hype.
The Other One
April 11, 1972
Newcastle City Hall

The whole Truckin'>Drums>TOO is too beautiful for words. Don't skip the Truckin', as the set works as a whole. Phil is really understated, but leading from behind in much of this. Especially going into the FG jam.