headyversion

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Carrion_Crow

Stealth Head

+49742


Submissions

3
Hurts Me Too
Feb. 8, 1970
Fillmore West

Swamp blooze. Pigpen was well on this night.
4
Black Peter
Feb. 7, 1970
Fillmore West

Starts a bit rough, but the final solo and out chorus builds and builds into a blazing triumph.
6
Sawmill
Feb. 7, 1970
Fillmore West

Enter the pedal steel. Goddamned sweet sounds here. It's unfortunately cut off, but worth every precious second.
4
Turn On Your Love Light
Feb. 6, 1970
Fillmore West

Pure '70 Dead. Like the HH before, this one grows steadily up to the full berserk, rather than exploding from go. Pig/Bobby outro is immortal.
7
High Time
Feb. 6, 1970
Fillmore West

Gorgeous harmonising and soulful singing. A clean, strong version that never drags.
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Comments

Hurts Me Too
March 28, 1972
Academy of Music

Pig is in perfect form for the whole show.
The Other One
March 28, 1972
Academy of Music

Tremendous, inventive, deep. They slowly build up, break down, zap, phronk, tweek, and splat into cozmik goo - all before the melody begins. It isn't all bad craziness either. There's a beautiful, traipsing feel in places, Keith leads into one around 12:30. The whole thing is the definition of "epic headiness".
Two Souls in Communion
March 28, 1972
Academy of Music

Jerry and Bobby. Listen to Bobby's support, he's like Pigpen's lifeline. This song is enigmatic and hard to hear sometimes. Pig drops the swagger and shows some desperation behind the desperado persona. How sad that this breakthrough into deep emotion comes so close to the end of his short short life.
Looks Like Rain
March 28, 1972
Academy of Music

For a song that can be cringeworthy at worst and a bit cheesy otherwise, this one rates really high for me: Jerry on pedal is a sure thing, but beyond that, the whole ensemble is strong, and the band pulses as one. This whole run at the Academy is pure top-shelf Dead, and here's another beauty.
Black Throated Wind
March 28, 1972
Academy of Music

Triumphant finish to this one.
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