headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49712


Submissions

2
Brown Eyed Women
Oct. 28, 1972
Cleveland Public Hall

One of those note-for-note perfect versions that leave you staggered and smiling. Just beautiful.
2
Sugaree
Oct. 28, 1972
Cleveland Public Hall

Not a song I usually get so swept up by, but on this one Jer's vocals are just perfect, capturing the sweetness and sorrow of the lyrics. A beaut.
4
China Cat Sunflower -> I Know You Rider
Oct. 28, 1972
Cleveland Public Hall

High-powered and tight. This show has nothing but complaints about the mix on the archive. Listen to the Ashley transfer, and see what you've missed.
2
Tomorrow Is Forever
Oct. 27, 1972
Veterans' Memorial Hall

Such sweet harmony, such sweet sentiment - turning on a dime after the white-hot Dew. Shows the beautiful country chops Donna at her best brought.
2
Nobody's Fault But Mine
Oct. 27, 1972
Veterans' Memorial Hall

Jam starts at around 05:45, never fully forms. Am I crazy? This sounds like NFBM and it continues about 3min into TOO. Very very cool stuff here.

Comments

Truckin'
March 28, 1972
Academy of Music

Charlie Miller has made an enormous contribution to the family. Thank you sir, your brilliant version on the archive (I haven't picked up the DP yet) scratches that '72 itch. Particularly nice organ sound here, as mentioned above.
Two Souls in Communion
March 27, 1972
Academy of Music

This is the only version that completely convinces me. It seems like they were still working on it when circumstances overtook us. Here Pigpen is, like in the Good Lovin' and Big Boss Man before it, totally and completely in charge of his game. I'm going through the Europe tour again, so maybe there are others that make it like this one out there, but for now, this is the one.
Me and My Uncle
March 18, 1971
Fox Theatre

*hear. Jeez.
Good Lovin'
March 27, 1972
Academy of Music

This is not an example of Pig on overdrive, spontaneously working the crowd into a sexual frenzy while free-associating wildly. It is, however, a masterclass of slowly building up concentrated themes into an explosive version that really deserves a close listen. Good catch. This one is different, and should be higher, if only because the rap is somehow subdued, and the band is ultra tight, and yet Pig is totally in command of the whole long ride. Enjoy.
Big Boss Man
March 27, 1972
Academy of Music

Pig is in charge here. No doubt about it. Great harp work here.