headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

7
Smokestack Lightnin'
Dec. 4, 1971
Felt Forum, Madison Square Garden

Gut bucket blues. Pure danger from Blue Ron. Hard to figure why this ain't already here.
3
You Win Again
Dec. 4, 1971
Felt Forum, Madison Square Garden

Sweet little rare tune.
6
Tennessee Jed
Dec. 4, 1971
Felt Forum, Madison Square Garden

One of those versions where it sounds like every note is just the embodiment of perfection.
2
Uncle John's Band
Dec. 2, 1971
Boston Music Hall

Shredding solo over the 7/4 section and lots of dark power here, though there are some mix issues and maybe some tape speed wobble. Clean versions?
13
The Other One
Nov. 20, 1971
Pauley Pavilion

Totally overlooked: An intricate, mercurial, and explosive monster masterwork. Overshadowed by but totally different from the enormous 12/02.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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