headyversion

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Carrion_Crow

Stealth Head

+49742


Submissions

7
Casey Jones
Oct. 31, 1971
Ohio Theatre

Like the Jack Straw earlier, they take a slower deliberate pace to create a new vibe. Here you can hear them jam with over the sound of a train. Cool.
10
Jack Straw
Oct. 31, 1971
Ohio Theatre

Strange, almost experimentally slower version with some problems, but different guitar lines. Almost a novelty.
14
Loser
Oct. 31, 1971
Ohio Theatre

Anthemic version with great chorus vocals. Could be the closing music for a great western movie.
2
Goin' Down The Road Feelin' Bad
Oct. 30, 1971
Taft Auditorium

The transition jam back to NFA is one of the trippiest, dreamy, paintbrushes of sound ones I know.
2
Truckin'
Oct. 30, 1971
Taft Auditorium

Our boys give in to the heckler and rip out a classic Truckin' here. Great rock and roll here with a punchy, aggressive vibe and great soloing.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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