headyversion

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Carrion_Crow

Stealth Head

+49767


Submissions

5
Comes A Time
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

1st version and Keith's 1st show. Jerry's voice is clear and full of meaning and remorse. Very beautiful.
4
Deep Elem Blues
Sept. 30, 1971
Studio

Unique as an electric funky blues. The only recording of it between 70 and 78 in a studio rehearsal. Pity this didn't go into rotation this way.
1
Jack Straw
Sept. 30, 1971
Studio

Historic oddity. Keith's rehearsal and three weeks before the first live version. Alternate lyrics, but fun. Some sound issues, tape wobble/speed.
1
Playin' In The Band
Sept. 30, 1971
Studio

Historic moment with Keith's rehearsals, so there's that. But there's also some magic here and they really bite into the groove. Some sound issues.
3
Sugar Magnolia
Aug. 26, 1971
Gaelic Park

Totally nuts. The jam is supernova material.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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