headyversion

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Carrion_Crow

Stealth Head

+49772


Submissions

1
Playin' In The Band
Aug. 23, 1971
Auditorium Theatre

Clanging and banging in all the right ways for the '71 sound. Has so much energy packed into it you can hear how it will explode over the next year.
6
Wharf Rat
Aug. 15, 1971
Berkeley Community Theater

Very serious, beautiful and magical jam. Should be up there with the top of them. Don't miss it.
5
China Cat Sunflower -> I Know You Rider
Aug. 15, 1971
Berkeley Community Theater

Virtuoso performance, the transition builds like a speeding river as it reaches a waterfall. There's a short tape gap in Rider, though, its all good.
4
Sugaree
Aug. 15, 1971
Berkeley Community Theater

Smooth and blissful rocker, followed by a very funny 4-second "White Rabbit" quote and conversation in response to a wacky head in the crowd.
3
Mister Charlie
Aug. 15, 1971
Berkeley Community Theater

Snarling and ballsy, complete with a hog snort in the pause after it. Pigpen got good and greased up for this show. Fun and loose.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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