headyversion

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Carrion_Crow

Stealth Head

+49777


Submissions

5
Bertha
July 31, 1971
Yale Bowl, Yale University

Revs up the rowdy crowd, tight and powerful 2nd set opener in a brilliant show. The AUD is a bit rough in places, but gives it great atmosphere. Hot.
8
Mister Charlie
July 31, 1971
Yale Bowl, Yale University

Ignore the audiophobes and get into it. Pig and Jerry both totally on. The band is exploding with energy. Overlooked show, and Dave knew it.
4
Black Peter
June 21, 1971
Chateau d'Herouville

Strong and powerful, like all the best versions of BP. Deep emotions on great pulse to this one.
3
Me and My Uncle
June 21, 1971
Chateau d'Herouville

Great sound. Some tuning/monitor problems earlier but by this they've worked it out. Nice clean version in what turns out to be a killer show.
2
Hard to Handle
May 29, 1971
Winterland Arena

Don't pass this by because of the AUD issues. Stands up to all the top H2Hs here. The jam and energy are outrageous.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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