headyversion

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Carrion_Crow

Stealth Head

+49777


Submissions

10
The Other One
May 29, 1971
Winterland Arena

Want to know what it felt like to be Phil's axe, I mean like every single goddamned fiber of it? Strap on headphones and now you'll know.
9
Cumberland Blues
April 27, 1971
Fillmore East

Hot version with super-fast pickin'. Much fun.
2
Not Fade Away
April 25, 1971
Fillmore East

Capping a brilliant show and hiding a nice Mountain Jam. This show doesn't get all the love it deserves.
8
Ain't It Crazy (The Rub)
April 25, 1971
Fillmore East

Supercharged and hard rocking. Boys had some strong stuff in them this night.
9
Hard to Handle
April 25, 1971
Fillmore East

Of course. Every April'71 is outta sight, and this one pumps diesel.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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