headyversion

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Carrion_Crow

Stealth Head

+49777


Submissions

3
Good Lovin'
April 21, 1971
Rhode Island Auditorium

Insights and meditations on life love and picking up hookers from the great one. See his mind at work, jump on the wagon and ride.
9
Hard to Handle
April 18, 1971
Lusk Field House - State University Of New York

Overlooked gritty superfunk. Bobby solos, then Jerry takes him to school. Phil, meanwhile is nuking the world big time.
6
Goin' Down The Road Feelin' Bad
April 17, 1971
Dillon Gym

Subtle and musical, slithers its way into an epic Lovelight. Nicely different from others of the era, no NFA sandwich.
7
Hard to Handle
April 14, 1971
Davis Gym, Bucknell University

Another raging inferno. Benefits enormously from a great mix where everyone's audible and you hear Bobby's part. Hot stuff.
3
Wharf Rat
July 25, 1972
Paramount Theater

Carries forward the intensely creative force of the TOO before it. A glory.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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