headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49777


Submissions

1
Bertha
Feb. 20, 1971
Capitol Theater

Still brand new. This just pops and crackles with energy. Great fun.
1
Hurts Me Too
Jan. 24, 1971
Seattle Center Arena

Deep Pig. Deep deep Pig.
1
Cold Rain and Snow
Jan. 22, 1971
Lane Community College

Not for audiophobes, cause it's like 10th-gen Maxell 120s, but every bit the '71 CR&S sound I love. Beneath the fuzz is a beauty.
9
Wharf Rat
Oct. 20, 1974
Winterland Arena

Tectonic jamming shifting out of WR back into Playin' of intricate interplay and staggering beauty.
10
Space
Oct. 19, 1974
Winterland Arena

Ripped out of future spacetime and unlike any other from the era. Sounds like they invented MIDI right on stage. Minds forever blown, I'm sure.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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