headyversion

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Carrion_Crow

Stealth Head

+49777


Submissions

49
Scarlet Begonias -> Fire On The Mountain
May 5, 1977
New Haven Coliseum

Unthinkable that such headiness be left from the lists! Stunning swagger, swooshing Phil, bril transition, mad jams.
3
Brokedown Palace
Dec. 15, 1971
Hill Auditorium

Passionate, sparkling harmonies. Beeyooteeful vocals. Beeyooteeful playing.
3
Jack Straw
Dec. 15, 1971
Hill Auditorium

Part of a first set that just kicks with horsepower from the 1st note. Purposeful, driving and strong. Hot stuff.
19
Estimated Prophet
March 19, 1977
Winterland Arena

Muscular and edgy, with that amazing off-kilter propulsion unique to this song.
15
Sugaree
Dec. 10, 1971
Fox Theatre

Sharp as a tack with lots of energy and a strong pulse. Clear they were having a great time.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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