headyversion

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Carrion_Crow

Stealth Head

+49777


Submissions

17
Scarlet Begonias
July 29, 1974
Capitol Center

Everything's perfect and beautiful in this one. Can we just say "All Scarlets from Summer '74 are epically heady", cause I don't know a bad one.
16
Playin' In The Band
July 27, 1974
Civic Center

As brilliant an example of Billy K's genius as I know on the Archive. Great meltdown, too. Put it in the same category as 02.12.73. It's that good.
8
Me and Bobby McGee
July 27, 1974
Civic Center

Starts simply enough, then around the four-minute mark just explodes into a beautiful carnival funride of musical unity and sweet sweet soul.
4
It Must Have Been The Roses
July 27, 1974
Civic Center

Very sweet and right out of a grooving MHUT. Summer '74 is chock-full of goodness, and this Roses doesn't disappoint one little bit.
15
Row Jimmy
Feb. 15, 1973
Dane County Coliseum

2nd ever, very interesting. Sounds like they're working out the feel, quite uptempo almost rocksteady (not reggae, yo) beat.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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