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Carrion_Crow

Stealth Head

+49667


Submissions

47
Playin' In The Band
May 14, 1974
Adams Field House, U of Montana

Slower, moody and thoughtful with Phil and Jerry-driven explorations. Brief Slipknot tease at 8:20 and 13:50 and a cool Supplication tease at 9:30.
13
Truckin'
May 12, 1974
University of Nevada

Inventive and crystal clear jam, leading into a 'nobody's fault' jam and a killer TOO>MLB where the '74 sound is just taking shape. Underappreciated.
2
Tennessee Jed
Dec. 31, 1971
Winterland Arena

Brilliant, cracklin' good, fast, tight and fun.
3
Chinatown Shuffle
Dec. 31, 1971
Winterland Arena

Crackles with up-and-jumping energy. Great show all around showing off the best of the era with Pig and Keith.
21
Scarlet Begonias
June 9, 1976
Boston Music Hall

Some funky bass be-bop and beautiful chaos in order in chaos in the outro jams. Just exactly perfect.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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