headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

15
Greatest Story Ever Told
Feb. 23, 1974
Winterland Arena

Electrifying and high-power jams, with some of the weirdest sounds Donna ever made. Great fun and a wild ride.
10
Beat it on Down The Line
March 18, 1967
Winterland Arena

Surf Punk! Never thought I'd hear California surfer thrash so clearly in the Dead, but here it is: Bobby as primordial punk rocker? Why not?
7
Morning Dew
March 18, 1967
Winterland Arena

Are you kidding me? This is just blazingly good. Jerry's on fire, vocals and axe. Too good for words.
5
Row Jimmy
Feb. 22, 1974
Winterland Arena

Solid and sweet, with some beautiful slide solos and nice vocals, Donna included.
8
Black Throated Wind
Feb. 22, 1974
Winterland Arena

A powerful triumph, just exploding with intense jamming and emotion. Real dynamite here.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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