headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

45
Playin' In The Band
Dec. 19, 1973
Curtis Hixon Convention Hall

Really Heads? Not here yet? 21 minutes of super fine hotandheady jam. Blazing hot, capping off a year of just outrageous Playin' playing.
14
Candyman
April 15, 1970
Winterland Arena

Don't know the '70s versions enough to say "unique", but check this one out for beeeautiful vocals over light-as-light sweet acoustic playing.
21
Cold Rain and Snow
April 15, 1970
Winterland Arena

The boys start the show with all guns blazing. Seems like they'd open with this when they were most massive. Ahhhh, Winterland.
7
Jack Straw
Dec. 18, 1973
Curtis Hixon Convention Hall

The band has come together, the vocals are warm, the solos are sharp, so strap on boys and girls 'cause this show just ignites from here on out....
9
Caution
Sept. 20, 1970
Fillmore East

Great Caution, but absofreakinglutely outrageous feedback into the deep deep space and back. Face stolen, body floating -> Bid You Goodnight. Damn.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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