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Carrion_Crow

Stealth Head

+49667


Submissions

4
The Eleven
March 30, 1968
Carousel Ballroom

The China Cat>The Eleven sequence was always very cool and this one burns hot and fast. Don't wanna just put all of 'em up here, but this is a cooker.
5
Dark Star
March 30, 1968
Carousel Ballroom

A short little gem: Nice clear solo ideas and tight ensemble playing with that bursting-at-the-seams energy from the Anthem era.
2
The Other One
March 30, 1968
Carousel Ballroom

It's '68 and the boys are on fire. This one pins you to the wall all its the sharp turns and jagged explosiveness. Hard pschedelic rock.
7
The Eleven
April 21, 1969
The Ark

So blisteringly hot. All three Ark '69 shows are brilliant, but this is the clearest example of their brilliance on Eleven.
4
Playin' In The Band
Dec. 15, 1971
Hill Auditorium

Just listened to it 4x in a row, something I never do. The whole intense Playin' universe packed into under 7min. Could be my favourite '71.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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