headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

3
Cumberland Blues
Dec. 15, 1971
Hill Auditorium

Joyful chaos: A brilliant splatter. Bobby's voice never sounded so good to me as it did in '71.
5
Mister Charlie
Dec. 15, 1971
Hill Auditorium

Pigpen at his best with the band at its grit-in-the-gears crunchiest. They were on this night and this one is just full of butt.
6
Wharf Rat
Dec. 12, 1973
Omni Coliseum

Very passionate version, some distortion or tape speed issues (?) remind me of my cassette trading days and bring out the trippiness to the song.
11
China Cat Sunflower -> I Know You Rider
Dec. 12, 1973
Omni Coliseum

If this hard grooving China jam and Feeling Groovy transition doesn't just get you moving, then nothing can. Just perfect.
10
Pretty Peggy O
Dec. 12, 1973
Omni Coliseum

First version ever is real nice... but listen to the soundcheck version for insight into the bands working dynamics. Cool to hear them working on it.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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