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Carrion_Crow

Stealth Head

+49667


Submissions

15
Playin' In The Band
July 18, 1972
Rossevelt Stadium

Hard-driver with intense 10/4 jamming throughout. Phil and Billy give it extra oomph. Great mix with Keith and Jer up front and clear.
4
China Cat Sunflower -> I Know You Rider
July 18, 1972
Rossevelt Stadium

One of those rare ones where China Cat plods a bit and they move into a blazing hot Rider. Great show all around, too.
19
Candyman
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Keith plays beautifully on this.
7
Brown Eyed Women
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Like with all Winter '73s the band is in excellent form. Bobby's slashing chords behind Big Jer just make this one an uptempo gem.
8
Me and Bobby McGee
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Sweet and lovely. Jerry's virtuoso fillagree behind Bobby's smooth-as-smoke vocals just slay me here.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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