headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

13
Sugar Magnolia
June 24, 1970
Capitol Theatre

2nd ever in a triple Dark Star sandwich. Choral singing, not fully developed but part of some of the best damned Dead you'll ever hear. Believe me.
9
Don't Ease Me In
June 24, 1970
Capitol Theatre

Acoustic version, beautiful and tight. Don't miss the acoustic set in the rush to the late show.
6
Brown Eyed Women
July 25, 1974
International Amphitheater

Energetic and tight with great harmonies and strong soloing.
7
Black Throated Wind
July 25, 1974
International Amphitheater

Damned strong version building up nicely to the towering triumph, "you've done better by me than I've done by you". Strong stuff.
11
Deal
Oct. 2, 1977
Paramount Theatre

Bursting energy ending the 1st set in blazing glory. The shout chorus is outrageously hot. Has to be one of Donna's best nights ever.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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