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Carrion_Crow

Stealth Head

+49667


Submissions

17
Playin' In The Band
Nov. 1, 1973
McGaw Memorial Hall - Northwestern University

A Dew>Playin'>UJB>Playin' jam of outrageous power, starting one of the great months in the band's history. Pity the show's not complete, though.
4
Mountains of the Moon
July 10, 1969
Playboy After Dark

Video w/ TC. See it to believe it. And believe me, Carrion Crow, it's an absolute beauty. http://www.youtube.com/watch?v=NVqArOogY-c
37
The Other One
Oct. 22, 1971
Auditorium Theatre

Get lined up, put on your helmet, then prepare to be shot out of a cannon for about 30 minutes. This is what early Dead is all about.
9
Me and Bobby McGee
Oct. 22, 1971
Auditorium Theatre

This one's a must for fans of this song: I know I'd trade some of my tomorrows for one more yesterday with Bobby & Co. Sweet and meloncholy....
12
Black Peter
Oct. 22, 1971
Auditorium Theatre

So beautiful I had to stop it mid way through and start it again. Impassioned, clear sounding, great vocals and harmonies. (Phil!) Perfect.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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